Getting Up Close and Personal

Man reading newspaper at a coffeeshop in Little India, Singapore

Man reading newspaper in Little India, Singapore. He was so engrossed with his papers that even when I was just inches in front of him at the coffeeshop, he wasn’t aware of my presence!

One of the oft-quoted maxims in photography is the famous line by Robert Capa – “If your photos aren’t good enough, you are not close enough”. On the streets, getting close enough to strangers to produce the kind of close, intimate photographs takes a lot of courage, and a willingness to shake off personal inhibitions, especially for Asians where personal space is highly valued.

Getting a haircut in Little India, Singapore.

Getting a haircut in Little India, Singapore. I asked, and gained access to the barbershop. The owner was kind enough to allow me to shoot inside the shop!

Barber giving a customer a haircut in Little India, Singapore

Barber giving a customer a haircut in Little India, Singapore. Technically I wasn’t on the streets in this photo, but I asked, and got access to shoot inside the barber shop.

Two men smoking and relaxing in an alley in Little India, Singapore

Two men smoking and relaxing in an alley in Little India, Singapore. I was just seated right next to the guy in the foreground when I took this shot. They didn’t mind the company and went about their own business while I shot them.

Indians relaxing on the streets of Little India. These guys were waiting for a mutual friend.

Indians relaxing on the streets of Little India. These guys were waiting for a mutual friend.

My favorite style of shooting is getting in wide (28mm or 35mm) and getting in close, placing an interesting subject in the foreground while trying to achieve layers in the photo by having a complementary background. Things don’t always happen according to what I want of course, and I don’t like to direct my subjects, but that’s what makes street photography so fun and challenging for me – the element of the unexpected, and the serendipity of it all when everything comes together for a shot.

Man fixing tire at Little India, Singapore

Man fixing tire at Little India, Singapore

Man protesting over a game of carrom, Little India, Singapore

Man protesting over a game of Carrom, Little India, Singapore

Playing Carrom in Little India, Singapore

Playing Carrom in Little India, Singapore

I was given a personal lesson in getting close and getting access to strangers from war photojournalist Matthias Heng two months ago in a documentary photography workshop, where I’ve had the honor and pleasure of seeing Matthias in action on the very same streets of Little India where I started (and am still actively shooting) my Little India street photography project last year.  It was an eye opening experience, and affirm my own conviction to get closer to my subjects.

A chinese worker unloading coconuts from a lorry. Little India, Singapore

A chinese worker unloading coconuts from a lorry. Little India, Singapore. I clambered onto the lorry to get this different angle of the unloading process.

A tailor sewing clothes by the roadside. I remember my parents once owned a sewing machine just like that!

A tailor sewing clothes by the roadside. I remember my parents once owned a sewing machine just like that!

I went back to Little India yesterday – the place is a veritable visual feast waiting to be discovered. The photos in this post are a small selection of recent (some of it shot only yesterday) photographs which I’m happy with. Even on a weekday, the streets were still pulsating with life. Truly it’s a place where I can relax, and indulge in my passion of observing and shooting life on the streets.

Two men relaxing on a stone bench in Little India.

Two men relaxing on a stone bench in Little India.

Exuding confidence. Little India, Singapore

Exuding confidence. Little India, Singapore

It’s not Tokyo, nor Paris, but Little India has cemented a place in my heart as the place where I can always go back to, a place whose open streets, narrow alleys and bustling traffic always beckon with outstretched hands, inviting me to go back again and again to tread once again on those concrete sidewalks.

About David Teo

David is a documentary photographer who tells the story of the human condition in all its different states visually in pictures.
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